Ladislav Matějček

* 1959

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  • "I grew up in a completely Masaryk family, so even my parents forbade me to join the Pioneer at that time, which annoyed me, because everybody went to the Pioneer, and there was a whole class in the Pioneer, and suddenly I wasn't allowed, and so I was kind of weird. So I got interested in it, but I shared those views of my parents and I was like, because the whole family was like that. And I didn't really notice that we were stuck up anymore, because I had enough extracurricular interests or a lot of interests, so I didn't like... I didn't miss that traveling abroad that much yet. We were listening to some Radio Luxembourg, which they were jamming, but it seemed to me that it was a kind of coloring, that just good stuff was forbidden, that it was natural. We used to get books sort of on the cheap, I don't know, there were some books about the hippie movement that you couldn't just get in bookstores, and we got hold of them somehow. Well, but here I would say an interesting experience. I then in high school, as I had friends, we were kind of a group of four. We all had long hair, we were all Máničky (young people with long hair, disagreeing with communism), it was a strange type as people, a certain resistance or defiance against some official culture. And one of those good friends of mine grew up in an explicitly communist family, but they were honest communists. Parents were terribly nice, when we came to their house, his mother always gave us a bun with salami, we were happy, and they were talking to us nicely. How poor they were, how they worked at Baťa, and they weren't some active communists, that they had a career as communists, but they had that confidence. And this Ivoš started explaining to me the left-wing ideas of equality of all people. And it was so strong that I had to somehow struggle with that ideology."

  • "In high school, I used to distribute the Charter with the boys. We multiplied it. Charter 77 actually preceded it. I was definitely on that side and went to the pub with those people. But I had this unpleasant experience that one, she was a parish priestess, a signatory of the Charter... and she snapped at me that if I didn't sign it, I was a coward. And I felt... I felt manipulated and I talked it over with my dad, and he told me that he thought I wasn’t ready to make that decision yet. I was around seventeen at the time. So I supported it, but I didn’t sign the Charter, even though I came close. And my family as well — I have to say, even though they were on that side, they mostly watched from a distance, because they had already had several experiences that showed it’s not so simple to get involved in a political movement."

  • "In the period when there were rallies in the squares and so on, when the Civic Forum was founded and started and people were talking about how great it was that we had overthrown the communists and how we were going to have a good time now... So I was also there and I was saying... I was giving this fiery sermon in the sense that it's good, that we're going to have political change, that it's great, but that the important change is in the person. That we need to change ourselves for that political change to lead somewhere and for it to last. That's the essential change - if we put capitalism in place of communism, it's not enough."

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    Praha, 14.10.2024

    (audio)
    duration: 51:27
    media recorded in project The Stories of Our Neigbours
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I got to see Havel’s Beggar’s Opera unplanned

Ladislav Matějček in the theatre as Rumcajs
Ladislav Matějček in the theatre as Rumcajs
photo: Archive of the witness

Ladislav Matějček was born on June 22, 1959 in Prague. He grew up in a family of agronomists, his mother’s brother was in prison for several years in the 1950s. He worked against the regime as an agent-traitor. The whole family was anti-communist. Ladislav Matějček went to the Scouts and in 1969 he started to participate in the famous Natural Theatre of “Dáda” Stoklasa in Počernice. As a teenage boy he participated in the construction of the theatre. In the seventies he studied at the general education school and continued to work with director Vladimír Stoklasa. In 1975, he attended the premiere of Havel’s Beggar’s Opera at the Čelikovský pub. He graduated from DAMU and after his studies he played at the Theatre on the Edge and the Theatre in Dlouhá. He avoided films because he did not like the fact that television was beholden to the communist regime. He acted only for a few years, then worked as a tram driver and a stoker. Gradually he became interested in religion and during the Velvet Revolution he became a preacher. Since the 1990s, he has been active in the church and worked as a director of a cultural center. In 2024 he lived in Babice near Havlíčkův Brod.