Bobo Sobotka

* 1956

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  • "I was making a film at the time called About Family Matters Only directed by Jiří Svoboda, and it was a groundbreaking film. The filming started sometime in the autumn, in September when there was no sign anything could break down. It was a film about the 1950s show trials. Jaromír Hanzlík and Jiří Bartoška were the lead actors. We thought, "It's strange that someone allowed Jiří Svoboda to make this." Then 17 November hit suddenly in the middle of the shooting and that was a turning point as nobody knew what was going to happen - if it was a permanent thing, if troops would invade again, or if they would send the People's Militia into the streets to fight people. Still, we took part in the march to Wenceslas Square that next week or so. I wasn't part of 17 November directly; we were filming in Kladno at the time. I believe it was Friday, I don't know. I didn't take part in that, but we went with Barrandov colleagues to Wenceslas Square the very next week, and it was packed at that time. Then, about three later, my wife and I went to Wenceslas Square. So I attended these protests twice in person."

  • "When I completed the Institute of Art Production, I got my certificates for make-up and wig making. I finished high school and of course I got a full-time, all-day job. I was already involved in film, working from very beginning to the end. From the seventies on, 1974-1976 and onwards, I worked with Karel Kachyňa on The Little Mermaid, which viewers still remember fondly. I was lucky enough to work on eight films with director Kachyňa, another milestone in my life. Starting with The Little Mermaid; Setkání v červenci (Meeting in July) a summer comedy with Oldřich Kaiser; Čekání na déšť (Waiting for the Rain) a somewhat forgotten one, I think undeservedly; The Golden Eels, which is a classic based on Ota Pavel's book, it's still aired today; Love Between the Raindrops with Vladimír Menšík; Pozor, vizita! (Attention, Doctor's Round!) with Rudolf Hrušínský about a free spirit forced to stay in hospital as a germ-carrier; and also Počítání Oveček (Counting Sheep)."

  • "I joined the Barrandov film studio in 1971 as an apprentice make-up artist/wig maker. For the first three years, instruction consisted of attending the Institute of Artistic Production, a school in Žvahov here in Hlubočepy. It was a specific school in that it brought together and taught trades that were not common, for example, gold embroiderers, textile printers, jewellers, weapon makers and armour smiths. The school was quite specific that way. There was a big benefit. The normalisation period was beginning in 1971 and not all university professors were allowed to keep their jobs, so they went to work at these lower-level art schools. Our art history teacher, for example, was Olga Macková who wrote several books on painters, big monographs on Mánes and Courbet. Our applied art and sculpture teacher was Professor Jaroslav Kruis who had created a two-metre high wooden statue of Christ for the Hus Congregation in Vršovice, which is still there today. Our painting teacher was Professor Pučelík, one of the 'old school' of painters. That was a huge advantage for us. I don't know where else I would have gotten the education that I have now thanks to this school."

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    Praha, 08.03.2024

    (audio)
    duration: 51:09
    media recorded in project The Stories of Our Neigbours
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He dedicated his life to film, shooting with Karel Kachyňa and Miloš Forman

Bobo Sobotka in a period photo
Bobo Sobotka in a period photo
photo: Bobo Sobotka's archive

Bobo Sobotka is a Czech visual artist and former film make-up artist. He was born in Prague’s Podolí on 13 September 1956 and grew up in Holyně. He joined the Barrandov film studio in 1971 as an apprentice make-up artist/wig maker. His mother worked there as a dispatcher and his father was a model maker in the special effets studio. He attended the Institute of Artistic Production in Žvahov in Hlubočepy for the first three years of his schooling, then completed his courses and certificates and began working in film. While working, he enrolled in evening high school to get a high school diploma. He worked in film from the 1970s on, mainly with director Karel Kachyňa on The Little Mermaid, Setkání v červenci and The Golden Eels. In 1989, he was filming About Family Matters Only, then began taking part in protests, and had also worked on the Oscar-winning Amadeus with Miloš Forman. Later, he shot The Devil’s Bride with Zdeněk Troška, and worked for several international film and TV series productions at the end of his career. He retired after 2016. He began painting; his works are exhibited in a private gallery in Smaragdová Street. In 2024, he lived with his wife in Prague.