Ladislav Oliva

* 1933

  • "The entrance exams with Professor Khýn, who was the head of the painting shop, and there was Professor Roubíček, who was a good painter and technician among those young university graduates. René Roubíček taught drawing, and so the exam was that we drew a branch. But Roubíček and Khýn were tolerant enough of us that they perceived that they were the teachers, and I knew that they were the ones to show me something."

  • "There was the army going past, the Russians. Even one of the soldiers, Vasil, I remember, stayed there. I know that Vasil prepared carrots, potatoes, which were under that cold flat, he prepared them to eat. But it wasn't for long."

  • "We were curious as boys... so we ran out of the forge where the soldier was coming out [on his motorcycle], and all I could do was jump to the side of the car that was there. He caught me and spun me on the bike, that's how I broke my leg. I was not allowed to be taken to a civilian doctor. They said, 'We have a doctor who is at the shooting range, [we'll wait]... for him to come.' I only know this from my father translating, he knew German and he said, 'But the child's leg is broken!' And they didn't allow it, the soldiers... only when their doctor comes, he will, when he assesses it, I can be taken away. I just lay there and had to wait for him to come back. And as it happens, brother Jarda, at night, when I was lying down with my broken leg, he threw his leg on my broken leg, which was unprotected, nothing was allowed to be done with it, so he threw his leg on me. But I managed. An officer came and told them off, so to speak, that I was a child. Somebody had that empathy, soldiers aren't all bad, but here it was that they weren't allowed to break the order."

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    Železný Brod, 18.02.2025

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    duration: 02:47:07
    media recorded in project Příběhy regionu - Liberecký kraj
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To live your work and create artistically is only possible with humility in your heart

Ladislav Oliva, 1967
Ladislav Oliva, 1967
photo: witness´s archive

Glass artist and teacher Ladislav Oliva was born on 21 August 1933 in Chudeřice near Bílina. Between 1948 and 1951 he graduated from the Technical Glass School in Kamenický Šenov in the department of painting and glass etching. Later he graduated from the Academy of Arts and Crafts in Prague, in the studio of monumental painting and glass under the supervision of Professor Josef Kaplický. Until the mid-1960s, he was an artist at the technical and artistic centre of the national company Borské sklo (Borské Glass) in Nový Bor. From 1964 he designed glass for the Bohemia Glassworks in Poděbrady, and collaborated externally as a designer with the Železnobrodské sklo glassworks, the Center of Art Craft in Škrdlovice and the Crystalex glassworks in Nový Bor. After the August 1968 occupation by the armies of five communist countries led by the Soviet Union, he resigned from the Communist Party of Czechoslovakia in protest. He and his wife Eva Oliva were persecuted during the normalisation. He was not allowed to exhibit for several years, and when exhibitions were allowed, he was not allowed to present himself in any way. His wife lost her job. From 1969 until his retirement in 1993, he was the artistic director of the glass cutting department at the Secondary School of Glass Arts in Železný Brod and also taught future glassmakers and artists in Kamenický Šenov. He made his artistic mark in depth with sandblasted bowls, plates and vases with various geometric and biomorphic reliefs. He dealt with the design of pressed glass intended for mass production, as well as cut, molten, engraved and painted glass. In 1958, his vases were included in the exhibition collection for the World Expo 58 in Brussels. He is the creator of a number of realizations in architecture, such as the monumental stained glass for Expo 67 in Montreal. He is also the author of many portrait, figurative and other sculptures in fused glass, including medal designs. He was a member of the Liberec art Group 7, which included, among others, the well-known painter Vladimír Komárek and sculptor Jiří Seifert. His works are owned by important museums all over the world and Ladislav Oliva’s work is summarised in a number of publications on modern Czech glass. His son Ladislav Oliva Jr. studied at UMPRUM under Professor Stanislav Libenský and has also devoted his professional life to designing glass, glass paintings, mosaics and jewellery. The story of the witness was recorded thanks to the support of the town of Nový Bor.