Aurel Lesák

* 1930

Video Player is loading.
Current Time 0:00
/
Duration 0:00
Loaded: 0%
Progress: 0%
Stream Type LIVE
Remaining Time -0:00
 
1x
  • "I was taking the exam for the electrical engineering college and there was this strange thing. There was this strange sort of people introduced who were studying at university and hadn't graduated from secondary school. They were called ADKs. They were graduates of workers' courses. The trouble was that they were politically correct people, but it was worse with their knowledge. So we got entangled in all sorts of mysteries there and I was expelled from the school in 1954. I was from a railway family, and so I went to railways."

  • "The tour was always preceded by a very precise check-in. Everything was cleared through customs. Tape recorders, microphones, everything had to be documented. Border checks were rigorous. Crossing the border in those days was a three-hour martyrdom. Everything had to be unpacked from the bus, they checked everything, we had to be there, then packed again, loaded and then off we went. It was very difficult then."

  • "There were people in the school who founded the SSM [Socialist Youth Union] in 1948. Back then it was called the ČSM [Czechoslovak Youth Union]. Those who didn't join were persecuted. Everyone tried to push it as far away as possible and avoid it as much as possible. The members who were recruiting for the CSM were unsympathetic. They were bankrupt, let's say, locksmiths. They were apprentices who hadn't been successful in school, so they made up for that failure by calling various camps and convincing the normal people there to become the vanguard of the working class."

  • "They had a policy of avoiding civilian casualties. What they did was that when they discovered a train, somewhere on the flat, on a curve never, they flew the plane over the train, everybody saw it, of course, and the airman put a shot in the air. So it was clear that he was going to shoot. Everybody immediately ran from the train and hid wherever they could. The fighter came back in a big arc and shot at that locomotive, because he knew that people had escaped in the meantime. But it also happened that the Wehrmacht didn't do it, he was in the service car, and so they killed them all. Not only did they destroy the locomotive, but they killed a lot of Germans."

  • "The resistance was also in the fact that locomotives were being damaged. It wasn't that something broke off. It was that the locomotive had to be taken out of service. It was said that some bearings had to be overhauled. It was easy in those days because they weren't ball bearings. It was '1850' technology, so the bearings had to be poured out in a special... so the locomotive had to be out of service for a long time. Of course the people who organised this were happy about it because they hated the Germans. But behind every one of these people was a German standing. And these were Germans from the Sudetenland who understood Czech perfectly. So there was a great danger that they would overhear some kind of hint. They were very nervous at that time, so they would catch the hints immediately. My father was at the Gestapo several times because of this."

  • "By leaving Louny, we were kind of abandoned until Christmas. After Christmas we started school in Sedlec. The first thing we had to do was to get a redispero number five and a bottle of black ink. We were given glue and textbooks and we had to glue President Masaryk and Beneš in the textbooks and we blackened the word Czechoslovakia with black ink. That was our school lessons until the end of the school year. The fact that Czechoslovakia was being abolished bothered us in the family circle. My grandfather and aunts talked about it. One of the aunts was a fierce amateur actress. They played theatre, all kinds of patriotic plays. So it was the beginning of the Protectorate, before they started to monitor and ban it. And the theatre, so it was a defiance against that."

  • Full recordings
  • 1

    Praha , 01.09.2021

    (audio)
    duration: 02:02:54
    media recorded in project Stories of the 20th Century TV
  • 2

    Praha, 10.09.2021

    (audio)
    duration: 02:03:08
    media recorded in project Stories of the 20th Century TV
  • 3

    Praha , 22.09.2021

    (audio)
    duration: 01:49:00
    media recorded in project Stories of the 20th Century TV
Full recordings are available only for logged users.

Some used the theatre tour to get to the West and emigrate

Aurel Lesák, 1950s
Aurel Lesák, 1950s
photo: Aurel Lesák

Aurel Lesák was born on 12 December 1930 in Prague into the family of Aurel Lesák Sr., a railwayman, and Maria, née Korešová. He had a sister three years younger. The Lesáks moved several times. Aurel grew up in Heřmanice until he was six, then they moved to Louny because of his father’s work. From there, after the Munich Agreement in September 1938, his father was transferred to Tábor. He spent the Second World War and the post-war years in Tábor near the railway station, where the Lesák family had a service apartment. Aurel Lesák describes in detail the conditions and local events of the time, for example, suspicions of sabotage, for which his father was interrogated by the Gestapo, recalls the execution of Tábor citizens during the Heydrichiad, the conditions at school, and American fighters attacking locomotives. At the end of the war, his father sent the family to his grandfather’s house in Sedlec for security reasons, but there, during the May Uprising, there was a bloodbath with many victims. Fortunately, the family escaped it by leaving in time to stay with relatives in a nearby village. After February 1948, as a gymnasium student, he forcibly joined the Czechoslovak Youth Union (ČSM), commuting to youth construction sites in Lipno. In 1951 he graduated from the grammar school and then passed the exams at the Czech Technical University. However, he did not finish his studies and got a job at the railway. From his childhood and youth, thanks to his father and aunt, who were amateur actors, he was in contact with the theatre, and as an adult he helped with the technology at the Spejbl and Hurvínek Theatre. In 1959 he was offered a permanent job there and worked as a sound and lighting engineer until 1999. He travelled all over the world with the theatre. He recalls the political supervision during his foreign travels, his experiences of Josef Skupa, Miloš Kirschner, the invasion of the Warsaw Pact troops in August 1968, the emigration of some members of the theatre, and the theatre strike in November 1989. In 1957 he married the costume designer Božena Lesákova, who also worked for many years at the S+H Theatre.