Alan Vitouš

* 1946

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  • "Since my brother wasn't known here at all, I gave it a try. Things were loosening up, so in the winter of 1988 we made a record for Panton." - "Did your brother come here?" - "He was allowed to. Of course, he made sure he didn't get arrested here for emigrating." - "Did he have to pay for his education, or normalize his relations? Did they let him in normally?" - "No, none of that I think. I know they didn't let him go to my father's funeral earlier. It turned out it would have been risky, but by 1988 he had arrived, so we made a record, Alan Vitouš Featuring Miroslav Vitouš. We also played a gig in Chmelnice. It was secret, though I know that all Prague musicians came to see us. They could finally see Miroslav Vitouš live. That was likely the last time I played the kit. I started to play percussion then."

  • "I remember being pulled out twice. The first time was when I was visiting my brother. The first time we saw each other in twenty years. I waited a long time. They put a couple of us exiting the plane aside. They went ahead of me. I was maybe the last. An StB officer who was doing interrogations in the cabins came and apologized to me for having to wait so long because the gentleman in front of me had a heart attack and died in the cabin. That was really something... He calmly went on about his job. He wasn't moved at all by the fact that he killed a man. That's when they confiscated my reverberation unit, a hall effects unit, for a fortnight and checked it for listening devices. I don't know. That was one thing, and the second time, in 1988, I went to Germany to see my brother. He was living in Germany at the time, and when I was coming back I was pulled off the train and they did a thorough search of all my luggage. I said to the customs officer, 'Listen, can't you tell me why?' He said, 'You must have some good friends...' Someone had likely reported me, but judging by what you say, they probably had it on file and needed to check."

  • "I got into a group of accused people in Prague in 1974, 75. They (the police) stood down in the passageway, knowing where we met - in our house - and they intimidated the old ladies who went there to study and interrogated them in the passageway. Pretty disgusting stuff. When they accused me, I got pneumonia. The cop needed to write a record with me. He couldn't summon me to Bartolomějská, so he came to my house. He asked, 'Do you have a typewriter here?' He was typing the interrogation record using the typewriter that my wife used to make the final copies of study materials for the photo copier. I thought it was funny because every typewriter has some specifics by which you can tell it's that one, but it never occurred to them to compare them."

  • Full recordings
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    Praha, 07.07.2022

    (audio)
    duration: 01:37:03
    media recorded in project Stories of the 20th Century TV
  • 2

    Praha, 23.08.2022

    (audio)
    duration: 01:53:37
    media recorded in project Stories of the 20th Century TV
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He’d rather work in the mines than serve in the army

Alan Vitouš in 2022
Alan Vitouš in 2022
photo: Memory of Nation

Alan Vitouš was born on 26 April 1946 in Prague. His father was clarinetist Josef Vitouš (1906-1984) who grew up in Prague in the family of an Austro-Hungarian trombonist and military bandmaster. He was one of the first players to play the saxophone in our country in the 1920s. His mother Ludmila, née Chaloupková, was one of three children. Her father owned one of the first steam dairies in Prague-Karlín. She completed a business school and worked as a model. She also had a talent for poetry, writing lyrics to songs the father composed and fairy tales in the style of Božena Němcová. After the war, Josef Vitouš and brother František founded a company selling musical instruments, which they lost after 1948. The father was very involved with Alan and his brother Miroslav, later a world-famous upright bassist, and was very supportive of their musical education. Both brothers studied at the Prague Conservatory; Alan Vitouš studied drums and his brother double bass. During their studies, in 1961 they founded the successful jazz group Junior Trio with Jan Hammer, with whom they also performed abroad. In 1965, however, Alan Vitouš no longer accompanied his bandmates at an international competition for young jazz musicians in Vienna which his brother won. The first prize was the study of jazz in the USA, where Jan Hammer also emigrated in 1968. Alan Vitouš stayed in Prague for religious reasons. In 1964 he was baptized in the Jehovah’s Witnesses Church and began evangelizing. Since his faith did not allow him to do military service, he chose the only way to avoid prison that the state allowed, which was signing a ten-year contract to work in the mines in Kladno. He was active in the religious life of the church, got married and had two daughters. In the mid-1970s, he was under a suspended sentence of eight months with a probationary period of two years under section 178 of Criminal Code, Act No. 140/1961 for membership in an unauthorised religious group. At the end of the 1970s, he got out of his work contract and returned to music after thirteen years. At first he played with Jiří Stivín, then in 1985 he formed his own group, the Vitouš Trio with singer Jana Koubková. In 1988, he and his brother recorded the album Alan Vitouš Featuring Miroslav Vitouš. In 1990, Alan Vitouš founded a recording studio and began to play percussion and other alternative instruments. He has worked with a number of successful music projects. At the time of the recording, in 2022, he was living in Prague and focusing on music.