František Svátek

* 1945

  • "Who would want to go back to that regime? Oh no... But you had those émigré dreams that repelled you. I dreamt of being in Vítězné Square in Prague and the police stopped me. I didn't have my paperwork and they could tell I was a refugee. You had dreams like that, then you always woke covered in sweat..."

  • "I was a bit different, in that I felt so sorry for him. I understood it was an extreme form of protest, but it was so obvious to me it wasn't going to change anything. If he thought it was going to rile people up... I recally walking with the procession, looking at his photo and feeling really sorry for him and his parents. I was like, boy, you should have known this wouldn't move anybody. Of course it made a much bigger stir abroad, but the people normalised themselves instantly..."

  • "It was a bad feeling. Meanwhile, my parents had moved to Mšeno near Mělník, so I remember the Polish soldiers marching through Mšeno. I could feel how this is innate for men - if someone came and said, 'We have weapons and are going to fight,' at that point I wouldn't have cared if I lost my life. We felt the utter injustice of someone breaking into your house, and that felt so bad."

  • Full recordings
  • 1

    České Budějovice, 29.01.2025

    (audio)
    duration: 01:28:45
  • 2

    České Budějovice, 27.05.2025

    (audio)
    duration: 01:07:29
Full recordings are available only for logged users.

Life has no meaning without creating

František Svátek in 1974
František Svátek in 1974
photo: Witness's archive

František Svátek was born in Tábor on 2 December 1945. The family was Christian but the parents joined the communist party to avoid trouble. Still, the father had to leave his school headmaster job and the family moved to the borderland. The witness graduated from the high school of nuclear technology in Prague in 1963 as a nuclear equipment designer. He drew while still a student. Following high school, he held a few jobs briefly, then passed the admission procedure for the high school of sculpting and stonemasonry in Hořice. This is where he learned the craft of sculpting as he had intended. In 1968–1973, he studied sculpting and restoring at AVU and met his future wife Barbora Blahutová. They emigrated to Italy in 1974 and were granted asylum in Germany in 1975. They returned to Italy later on for a selective scholarship. František Svátek worked as an art restorer and gained prestige in the field, working on many high-profile projects. Still, he was drawn to free creation and was able to focus on it over time. His work is typified by a play of the elements and stone – he became famous for kinetic fountains. His works are to be found all over the world including Japan, Switzerland, Italy and Germany. Many of his post-1990 works are also present in his homeland. František Svátek returned to the Czech Republic for good in 1999. He was living in Vlastiboř at the time of filming. He has two daughters with wife Barbora Blahutová.