Bohdan Mikolášek

* 1948

  • “After the 1972 ban, I had to find a job right away. I took a job as an electrical engineer, so I had to get a stamp within a month proving I was employed. Otherwise, it was a crime not to work—people don’t know that anymore. And I worked three shifts in Category D, classified as a manual laborer at Aritma Vokovice. I learned what it was like to live among manual laborers. In the ROH, the ROH chairman even saved me when I was doing more… they told me that as an engineer in the “D” category, I had to do more work because, “We were slaving away here while you were slacking off at university,” and the trade union chairman stood up for me. And to this day, I have wonderful friends among those workers.”

  • “All of a sudden, this huge global sensation hits, because no matter what people say about some monks in Vietnam—that’s all a different culture—but for someone in Europe to sacrifice themselves so demonstratively like that, it was a shock to the whole… it wasn’t just for those accused of being asleep. Even the fact that Palach wrote that he wanted to rouse people from their lethargy—that’s what everyone was saying; everyone was saying that we mustn’t succumb to lethargy. That means they weren’t in a state of lethargy, but they were afraid of it and wanted to do something about it; they were looking for a way, and Palach simply dared to give it this headline.”

  • “These kinds of trends started— alongside the Sanremo Music Festival, and there was also a contest in Pardubice called ‘We’re Looking for New Talent.’ And when I won the Pardubice round as a young 14-year-old kid with a crew cut, I even advanced to the national round. ‘Talent 67’ was already on TV—in Prague—and by then I was already at university studying electrical engineering, where I was actually one of the few, if not the only one, who showed up with a guitar and an original song. It wasn’t until later that they started calling us “songwriters,” so I placed in the competition. First place went to Jitka Zelenková, for example—it was simply the world of this future top-tier pop music. I didn’t really belong there, but suddenly they were blown away that someone would write their own song and play it themselves.”

  • Full recordings
  • 1

    Mikolášek Bohdan

    (audio)
    duration: 02:57:27
    media recorded in project Collection of interviews of the ÚSTR
  • 2

    Praha, 22.01.2020

    (audio)
    duration: 01:31:08
    media recorded in project Stories of the 20th Century TV
Full recordings are available only for logged users.

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A living person died, and the dead remained alive

Bohdan Mikolášek in the Talent 1967 competition
Bohdan Mikolášek in the Talent 1967 competition
photo: witness´s archive

Musician and singer Bohdan Jonatan Mikolášek was born on 2 December 1948, in Prague as the third son of a Protestant pastor. He spent his childhood in Zásmuky, Pustá Rybná, and Dvakačovice, and attended grammar school in Poděbrady. He devoted himself to music from a young age, but due to an unfavorable political assessment, he was unable to attend an arts school and therefore studied electrical engineering. At the time of the August occupation he was with his father and brothers in West Germany, where they organized protest concerts; however, he later returned to Czechoslovakia. After Jan Palach’s death in January 1969, he composed the song “Ticho” (Silence), inspired by the silent student procession on Wenceslas Square. He was active at the Semafor Theatre and also helped found the singer-songwriter association Šafrán. After having performed “Ticho” at a concert at the Protestant seminary in January 1972, he was interrogated by State Security and banned from performing in public. His future wife, Jana Koláčná, was expelled from her theology studies. They married in September 1972. Mikolášek first worked as a labourer at Aritma Vokovice and later as an engineer at the rector’s office of the University of Agriculture. He devoted himself to music only in private, including in an underground band he founded with Pastor Alfréd Kocáb. Since the couple was still unable to work freely even after many years, they emigrated in 1982 with their two children via Yugoslavia to Switzerland. Jana Mikolášková became a pastor there, and Bohdan continued his musical work. After living in the countryside, the family moved to Zurich, where the couple still lives today.